PA-0206
At a glance
The opening breathing sequence of the Bikram series, standing with the fingers interlaced under the chin, elbows and head moving together through ten rounds. Unlike the seated techniques elsewhere in this family, this one is a standing, whole-body warm-up meant to open the room's practice.
“Let the elbows and head lift together on the inhale, then meet together on the exhale.”
Essence
The elbows and head are meant to move as one unit with the breath, not as two separate movements happening to occur at the same time. When the timing splits, elbows lifting before or after the head, the sequence loses the coordinated quality that makes it an effective warm-up for what follows.
Intention
To open a practice with a standing, whole-body breathing sequence that coordinates the arms, head, and breath together.
What this pose develops
Physical
- •Lung capacity and diaphragmatic engagement
- •Coordination between breath and whole-body movement
- •Neck mobility through the controlled head tilts
Mental
- •A clear, structured entry point into a practice, settling the mind through repetition and count
- •Present-moment focus through coordinating breath and movement simultaneously
Teaching concepts
- •Cueing the elbows and head as one synchronized movement, not two separate ones
- •Watching for the neck being thrown back rather than gently tilted
How to practise
- 1Stand with feet together, fingers interlaced and resting under the chin, elbows pointing forward and down.
- 2On an inhale, lift the elbows up and out to the sides as the head tips back gently.
- 3On the exhale, bring the elbows back together in front, chin lowering toward the chest.
- 4Repeat this pattern for ten slow, coordinated rounds.
- 5Return to a neutral standing position, breathing normally, once the rounds are complete.
Alignment exploration
Instead of searching for the “correct” position, notice:
- •Feet together, weight even, standing tall throughout.
- •Elbows and head move in sync, the elbows' rise and fall matching the head's tilt and return.
- •Neck tilts back gently on the inhale, not thrown back forcefully.
- •Shoulders stay relatively relaxed even as the elbows lift.
Breath
The inhale and exhale should each last roughly the same, unhurried duration, driving the movement rather than being an afterthought to it. A rushed breath here usually means the arms are leading and the breath is just following along.
Teacher’s eye
The neck deserves specific attention. A gentle tilt back on the inhale is the intention. A forceful, thrown-back head is a sign the movement has outpaced the breath's actual pace. Slowing the whole sequence down usually resolves this.
Student practice
Reflect after practising:
- •If your neck feels strained, keep the head tilt smaller. The breath and elbow coordination matter more than how far back your head goes.
- •This is meant to feel invigorating but controlled, not rushed. Ten slow rounds should take real time, not be sped through.
Common movement strategies
Rather than mistakes, you may notice:
- •Practice the elbow movement alone first, without the breath or head tilt, to build familiarity with the arm pattern before adding the other two elements.
Modifications
- •A smaller head tilt, or no head tilt at all, for anyone with neck sensitivity, keeping the elbow and breath coordination as the core of the practice.
Completion check
- ✓Return to standing stillness, letting the breath settle back to normal before moving into the next pose in the sequence.
Related poses
Prepares for
Complements
Alternatives
Progressions
Regressions
Related movement concepts
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